Ecomusicology and Listening Beyond Categorical Limits: 1. An Introduction

by Tyler Kinnear (University of British Columbia)   The evolving field of ecomusicology engages a particularly complex and contested topic through the cultural study of music and sound; that is, the physical environment. There is no shortage of categories of environment to consider, each with their own criteria: natural, built, rural, urban, abandoned, reclaimed, pastoral, […]

Ecomusicology and Listening Beyond Categorical Limits: 2. The Naturalization of Built Environments: Two Case Studies

by Alexandra Hui (Mississippi State University)   Historians have, in the last decade or so, expanded their approach to the past to include sensory experiences. Sounds and ways of listening to them—what people heard, what sounds had meaning to them—have been established as an important way to understand the past (Johnson 1995; Picker 2003; Smith […]

Ecomusicology and Listening Beyond Categorical Limits: 3. Sibelius Beyond Categorical Limits

by Daniel Grimley (University of Oxford)     Categories and Borders Addressing the issue of how one could—or should—listen beyond categorical limits presupposes the more preliminary question of where (and how) such limits are drawn and what kinds of categories they serve to demarcate, police, or enclose. As Michel Foucault’s work has shown, categories and […]

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